Edited by Lavinia Spalding
Available for pre-order now!
“Tell me,” poet Mary Oliver once wrote, “what is it you plan to do with your one wild and precious life?” Oliver’s quote opens the The Best Women’s Travel Writing, Volume 10: True Stories from Around the World. And to answer the question, thirty celebrated and emerging writers invite you to ride shotgun as they travel the globe to discover new places, people, and facets of themselves. The essays are as diverse as the destinations, the common thread being fresh, compelling storytelling that will make you laugh, weep, wish you were there, or thank your lucky stars you weren’t. The Best Women’s Travel Writing speaks to the reasons why we travel—and how travel changes our lives.
In The Best Women’s Travel Writing, Volume 10: True Stories from Around the World, you’ll:
· Study the ancient art of belly dancing in Egypt
· Go day-drinking with a sea captain in Croatia
· Scuba dive through an underground cave in Mexico
· Run from massive exploding balloons in Burma
· Embed with the military in Afghanistan
· Experience a different kind of time in Argentina
· Go dogsledding in Finland
· Confront heartache, pain, and a deadly creature in Indonesia
· Negotiate with smugglers in Mongolia
· Marry a stranger at Burning Man
... and much, much more.
By Edith Wharton, introduction by Lavinia Spaldingby Lavinia Spalding google+
A trailblazer among American women at the turn of the century, Edith Wharton set out in the newly invented "motor-car" to explore the cities and countryside of France. As the Whartons embark on three separate journeys through the country in 1906 and 1907, accompanied first by Edith’s brother, Harry Jones, and then by Henry James, Edith is enamored by the freedom that this new form of transport has given her. With a keen eye for architecture and art, and the engrossing style that would later earn her a Pulitzer Prize in fiction, Wharton writes about places that she previously “yearned for from the windows of the train."
Now published for the first time as an illustrated eBook with photographs reproduced directly from the 1908 first edition, and newly introduced by travel writer Lavinia Spalding, the Restless Books edition of A Motor-Flight Through France will inspire current and future generations of readers and adventurers.
"Those who have been charmed with Mrs. Wharton's novels will not be disappointed by her venture into the unfamiliar role of a travel writer." ”
New York Times, 1908
“Whenever we travel, all that we experience vanishes far too easily, a victim of flawed memory. In WRITING AWAY, Lavinia Spalding has given travelers a witty, profound, and accessible exploration of the hows and whys of keeping a journal. Novices and veterans alike will find inspiration and fresh ideas on every page, along with practical suggestions to bring out the best writer in anyone. Spalding seems to have read everybody who set pen to paper while on the move, and her narrative is laced with their wisdom and her own hardheaded yet searching advice. Best of all, she knows that the “memoir” has grown ever more diverse wings. At once a worthy addition to the literature of travel and the psychology of writing, it is also a handy, encouraging toolbox. Buy two copies—one to meditate on at home, and another to dogear, underline, and carry alongside your own journal en route.”
— Anthony Weller, author of The Siege of Salt Cove and Days and Nights on the Grand Trunk Road: Calcutta to Khyber
“Spalding doesn’t just give you ideas for keeping a travel journal— she makes a convincing case for why keeping a travel journal is important, and how this personal writing ritual can deepen your journey in unexpected ways. I recommend this book for anyone who loves travel and endeavors to do it mindfully.”
— Rolf Potts, author of Vagabonding and Marco Polo Didn’t Go There
“Writing is a sacred and an irreverent art. As such, Spalding reminds us to journey conscientiously, to arrive awakened and to write with all our hearts. This is a beautifully vital antidote to the frenetic buzz of blogging and texting, to be savored and shared.”
— Alexandra Fuller, author of Don’t Let’s Go to the Dogs Tonight and The Legend of Colton H. Bryant
With a Measure of Grace recounts with sensitivity and wit the tale of a women-owned, Buddhist-based restaurant becoming a community anchor in a small Mormon town. Within the book's 176 beautiful, color-photographed pages, former backcountry caterers and professional river chefs Blake Spalding and Jen Castle share their struggles and successes as the co-owners of Hell's Backbone Grill. Spalding and Castle began with the goal to meld their ideas of place-based, seasonally appropriate cuisine, right livelihood, environmental ethics and social and community responsibility into a restaurant they would operate with compassion, generosity, loving kindness and grace. They were unaware at the time that given the unusual circumstances of their venture, this plan would be the restaurant's only chance of survival.
Located in the heart of the Grand Staircase-Escalante National Monument, Boulder, Utah, was the last town in the nation to receive year-round mail by mule train. Today it has no stoplight, cell phone service, ATM, grocery store or medical facilities. But it has Zagat-rated Hell's Backbone Grill which, despite all odds, has won the acclaim of national and international media. Sixty-five favorite recipes accompany charming anecdotes, old-fashioned rural wisdom and introductions to captivating local characters, making With a Measure of Grace a warm, earthy, and unforgettable read.
A remarkable book that celebrates a remarkable restaurant in a scenically stunning area of Utah. Few restaurants reflect a sense of place and purpose as fully as this, and even fewer can capture that spirit on the pages of a book. Read their extraordinary story, come to know the farmers and friends who help them succeed, and then recreate and share their simply inspiring food at home”
Bill Jamison, three-time James Beard award-winning cookbook author
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To stop being a tourist, sometimes all you have to do is start standing still.” –Taras Grescoe